This is an exciting day for me because a most
treasured author, London-born Julia Hughes, has graced Treasured Encounters
with an interview. Julia is the author of four thrilling adventure tales and
one beautifully written romantic novel. In her bio, Julia writes, "I'm an
eldest child and walking my younger brother and sister to school and back, I'd
tell them stories - a captive audience!" It's uncanny perhaps, but during
my read of her novels, it felt as if I was tagging along, listening to Julia
relate each captivating story.
Julia is
an avid supporter of other indie authors. Via her website, A Ripple
In Time, she
offers blog posts that are informative and delightful, plus she keeps us up to
date on her book promotions and works in progress. The site offers fascinating
author interviews , reviews of books in many genres and the site features
incredible short stories by horror writer, Randall R. Peterson. Click here to pop over and visit.
Julia's Amazon Author Page in U.K., for all books, kindle & paperback.
Julia enjoys connecting with others. On Twitter,
she tweets as @tinksaid.
On Facebook, Julia's page is Julia Hughes. Currently on Facebook, Julia is
hosting a special event: The Griffin Cryer Book Launch & FREE ebook
Giveaway. Access the event from the photo of Julia, on the right.
Julia’s
current story, ‘The Griffin Cryer,’ is an all-time favorite of mine; an
extraordinary adventure/fantasy that has just been released in paperback. I'm
not the only who who finds this tale to be one that is extraordinary. On Amazon
in both the U.S. and the U.K., there are over 60 reviews, averaging 4.7 out of
5 stars!
Julia is offering FREE kindle downloads of 'The
Griffin Cryer' from Tuesday, March 26 - Saturday, March 30. In the U.S. download here. In the U.K. download here.
As a special offering to visitors, Treasured Encounters is sponsoring a
giveaway of an autographed copy of 'The Griffin Cryer.' Simply leave a comment
and, on March 30, a winner will be selected via a drawing.
And now, my interview of Julia, almost as delightful as her novels!
*The Griffin Cryer is your 5th published novel, one that involves other-worldly characters. Three previous novels are marvelous adventures that feature two quirky guys, the Celtic Cousins. Many who have read all of these tales, including me, are avid fans because you create such realistic, down-to-earth characters who find themselves in extraordinary situations, some of which are mystical in nature and others that are drawn from historical events. How do the ideas, the twists and turns, for your stories come to you?
I’m
wholly flattered by the term fan, but I’d rather have fellow travelers – and
that’s how I think of you, and everyone who has the imagination to lose
themselves in a story. I need to identify with my own characters before asking
readers to believe in them. Story lines are easy – pick up any newspaper and
you can read at least half a dozen stories that are worthy of a book – or two!
The best part of being an author is that you can rewrite the end outcome. I’m
not an artist, more someone who loves to read and wanted to tell her own
stories; it’s a craft I’m still learning. I’m terrified of losing my reader so
tend to throw in every twist I can think of to keep those pages turning.
I so enjoy and
resonate with your perspective, Julia. I actually do feel like a ‘fellow traveler’ when I read your tales!
*There are many
YA novels that take readers into fantasy worlds. A reviewer who gave ‘The
Griffin Cryer’ 5* wrote, “…a unique supernatural spin on a genre that has been
a little too overdone. Reading this book was like a breath of fresh air.” Is
the story purposely written on several levels of appeal to readers, i.e. those
who merely enjoy a fast-paced thrilling adventure and those who desire the
adventure plus a rich vein of psychological depth to the characters?
There’ve
been some smashing reviews, and I feel very blessed to have so many readers
taking time out to comment on how they enjoyed the read. This is where
imagination takes over, and books are always going to trump films – readers
have a lot more freedom to interpret the story and the characters’
psychological make-up, how they wish. I enjoy a good seat of the trouser
adventure story as much as anyone – characters have to have a motive to act as
they do – I merely give them that motive.
You do this so
well, Julia.
*THE GRIFFIN
CRYER addresses a myriad of current themes that many teens of today face. One
5* reviewer wrote, “…a good book to read with your kids and have discussions
about hard topics…” What prompted you to
tackle the scripting of such themes; did your characters ‘speak’ to you about
these issues?
Most teenagers and adults have experience of bullying – what isn’t
always obvious is that bullying can take different forms. There’s hard core
hateful bullying which is usually violent, and there’s a more casual spiteful bullying
– sometimes by so called friends. Both can wear away confidence. And of course,
even bullies have their own bullies. I also wanted to explore the theme of
freedom, and having belief and confidence in your own abilities. There’s a lot
more to be said on these subjects, by people with a lot more expertise and
experience than me, but if this story does open the door to discussion, that’s
a start.
*Who is
Frankie? From where in your mind did she spring? Is she the young Julia?
Frankie
(Francesca) Shaunessy is a little bit of a tomboy. She’s a conundrum, like most
teenagers. She’s uncertain about where she fits in and, deep down, she loves
her mum, her step-dad and her brother. She wants to be better than she is –
she’s worried she isn’t measuring up. She’s also aware there’s a lot of
sympathy for her and her brother, Michael, who has been comatose for almost
three years. She doesn’t want sympathy; she just wants her brother back. This makes
her prickly, and adds to her feelings of alienation. I wanted to make Frankie
an ‘outsider’; the Rider of course is also an ‘outsider’ so when they meet,
they have this in common. I wish the young Julia possessed half the adventurous
spirit of Frankie.
Can't help but chuckle here, Julia, for I do see a bit of Frankie in you!
Can't help but chuckle here, Julia, for I do see a bit of Frankie in you!
*“Hughes really
has a way of making you care about her characters,” said another reader who
gave a 5* review. I wholeheartedly agree and find that your less prominent
characters add an immensely delightful bit of flair to your tales. I wonder,
are you an avid observer of people, their personalities and quirks? Do aspects
of your characters come from real people?
I
do make up little backstories for most people I meet. We all do this don’t we?
Please don’t say it’s just me being sad! A question I ask over and over is ‘Why
did he/she do that?’ The answer is usually because they a) can and b) want to.
So the next question is why would anyone want to do that? The car I bought from
a little old man who was obviously a retired bank robber had three sets of spare
number plates in the boot. Why? Is this why the old man’s retired from robbing
banks – his memory is now so bad, he can’t even remember that false number
plates have to be different from the real number plates. A neighbour trundles a
wheelbarrow filled with rubbish to the local dump. Why? We have garbage
collection every week. Is he scared of the garbage men? Or does he pick over
the rubbish dump when he’s there – or is it just an excuse to get out the
house? If the latter, what’s in the house that he needs to get out on such a
flimsy pretext? I think too much don’t I? I like to know what makes people
tick.
And that, Julia,
is one of the reasons why your stories engage me on so many levels!
*There are many
twists and turns in plot that the earthly and other-worldly characters must
face. During the course of writing GC, how did you stay so attuned to the
story’s complex flow?
That’s
funny! I struggled to keep the storyline less complex than usual. The truth is
I love complications – a little like Wren from the Celtic Cousins in this
respect. I’m the driver, so I know how to get from A to B. But I’ll take the
scenic route every time. Take the main road, and you’re going to miss out on so
much.
*My enjoyment of
THE GRIFFIN CRYER was enhanced because, throughout my read, it often felt as if
I was ‘there,’ in the story itself. Other reviewers have intimated the same. Is
it important to you that the script be written with vivid sensory details, ones
that draw readers ‘…naturally into the story…’?
It
is terribly important for readers to enter the story, and it isn’t easy – can
you believe that I want you there – I need
for readers to believe – and I’ll stoop to any level to achieve belief! If this happens, I’ve got you and your
wonderful imagination to thank. I can write about the dry cleaning fluid odors
still hanging around a character’s best suit, but I need you to smell them – I
need you to savour the flavours, and smell the coffee.
*Two of the most creatively fascinating segments occur
when The Rider and his griffin ‘cross through the membrane from Ella-Earth to
Earth’ and back. How were you able to script these intricate segments so
realistically?
When the Rider
first follows Balkind, his griffin, into this dimension, he does so without
thought. Frankie doesn’t realize what’s happened. It occurred naturally,
without any conscious effort. When the Rider crosses back to Ella-Earth, both
the Rider and Frankie are attempting to control the natural forces of both
worlds. The entire experience is different, and since they are tampering with Nature,
it becomes quite scary. They are forcing a way through, which shouldn’t be
attempted lightly. They’re both reliant upon the griffin, but in turn Balkind
needs encouragement from the Rider, and Frankie has to find the strength to
push away a soul destroying void. It was easy to imagine the fear and
desperation!
*If a stray
griffin should come my way and offer me a flight, what would The Rider instruct
me to do in order to fly aerodynamically?
If I had one wish
to make, I’d wish for a griffin to offer you a ride. The large veins which
emerge from a griffin’s shoulders in order to inflate their wings and circulate
blood are especially sensitive. Place your hands there, firmly but gently. Now
use your body weight to indicate direction and pace, much as you would if
riding a horse. Bending forwards or leaning back indicates diving or soaring
upwards to your griffin. Griffins are intelligent creatures, and have the
equivalent vocabulary of, say, a working sheep dog, so you can also give verbal
commands which will be understood. “Good griffin” and “dinner” are what most
griffins want to hear.
Ah, thanks, Julia, for this wish. Perhaps...one day.
*Chapters 20 –
21 are ones that are profoundly moving and special to me though some readers
may find this theme to be unusual for a YA story. Can you clarify your purpose?
Thanks Dody, both
for the kind words, and the question! A couple of strange, extraordinary chapters.
I sincerely hope readers will be willing to allow their imaginations to take
flight and go on this journey with Frankie. I wanted to explore the idea that
we have the ability to enter another’s world, either physically or mentally,
and to help them escape to a better world.
*How difficult
was it for you to script the choice that Frankie made at the end? Will there be a
sequel? If so, can you offer fans any hints for the direction that the story will
take? Please!
Incredibly
difficult. Frankie’s very loyal, and she was torn. I think she listened to her
heart for her final decision and stuck with the person who needed her most.
Stephen King compares writing to an archeological dig. You discover bones, and
then have the task of working out what goes where and how the creature looked
and moved. In other words, the writer breathes life into dust. He goes on to
observe that sometimes you strike lucky and find a complete fossil, which needs
little or no assembly. I struck lucky with THE GRIFFIN CRYER. Frankie and The
Rider’s story formed complete and almost wrote itself. The biggest difficulty
was in knowing when to stop and I’m longing to explore more of The Rider’s
world. I hope readers will feel the same way and, if so, there will definitely
be a sequel. I’m just hoping for the same excellent beta readers to help mould
the next episode of Frankie and The Riders’ adventures. Without the input of
one beta reader in particular, this story probably would still be just an idea,
and I’m eternally grateful for your generosity.
I’ve been told by
a couple of other beta readers who shall be nameless, that there should be more
griffins and more fighting. I agree with the first part, and I’m definitely
well on the way to introducing more griffins and as you know, have even been
asking readers for griffin names!
And I, for one, can't wait for the sequel!
*THE GRIFFIN
CRYER is being launched as a YA fantasy novel and yet I, as an adult, find the
story to be delightful, deeply moving and intelligently insightful. What makes
this novel one that can also appeal to adults?
It’s hard being a
teenager; it’s also pretty wonderful too as whole new worlds open up to you. I
know a lot of awesome young people, and I feel for them; there is so much to
learn about relationships and being responsible for your own decisions in those
few short years. I can’t hope to get inside their minds, but I hope that the
story manages to convey empathy for the problems they face. Hopefully too,
those who are young at heart – like you Dody – and those who are able to
empathize with young adults will also enjoy THE GRIFFIN CRYER.
Thanks so much, Julia, for allowing a 'fellow traveler' to spend some time with you; a treasured moment for me.
Thanks so much, Julia, for allowing a 'fellow traveler' to spend some time with you; a treasured moment for me.